Andy's Central Station

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Here you can find some of Andy's lyrics and quotes...

QUOTES

"The music comes from our relationships. The important thing is not to let shite get in the way."

"I'm going to have lots of pets. Then hire Johnny Morris to sit in the corner of the room doing voices for them."

-Andy, on what he's going to do when he's famous 1997

"We were in Chelmsford a few weeks ago for a gig, and there were all these wee girls in skirts like belts, it were great."

-Andy on U16 Girls Volume 17 1977

"You're in a band to provide total entertainment. So many musicians in the 90's are in a band just for the sake of being in a band. We want to make them feel better than when they're working in some supermarket or sitting in some offie, 'cos we've all done that and it's fucking boring. If we can acheive fame on the way, it's nice."

-Andy, on wherher he's hungry for fame Select Feb 1997

"If we don't make our next record better than this one, why are people gonna want to listen to it?"

"The thing is, with that tag of New Seriousness, when people come around and see us, they come away loving it. We play with a smile in our eyes - not an ironic smile though, a smile of pure joy. Of beleif. New Seriousness tends to take away from that."

"You know when you've read about 2 pages of a book and you haven't taken a single thing in? That's the lowest point in life - when you go through life for 2 days without feeling like you haven't lived at all. If you're feeling joy and you're feeling pain, then at least you're alive."

-The above 3 quotes are from Melody Maker June 1997

"It's about the basic human condition, wishing that you didn't give a fuck."

-Andy, on the meaning of 'The Stupid Factor' 1997

"Why can't we be serious and funny? I think with us, you'll only get the whole story at the end of the career. how many albums that'll be, I don't know. But we're not out for the short term."

-Q magazine January 1998

"Ah, face it. You're at a festival, you've taken some funny mushrooms, you've just woken up with a girl you've never met before, and you smell like shite! You're not gonna be worried about your feng shui!"

-Andy, on the importance of Feng Shui Melody Maker June 1998

The following is a conversation had by Andy and Fran at a festival... Readers beware... Maybe more information about Andy than you might like to know... From Select September 1998

Fran: We want to nick Robbie's (Williams) football.
Andy: It would be better nicking his bird.
Fran: He's engaged to her out of All Saints. I saw her earlier on and she was eyeing you up.
Andy: What Can I do? I fancy the other one. You know, the member of All Saints with the beard. I think he's called 'Big Dave'.

"I wanna see an IMAX porno cinema. Dirty old men with 3D glasses on."

-Melody Maker May 1999

"I got called Elfie because I was always sitting on a stool, kinda banging away at things."

-Andy, on his nickname at Art School NME May 1999

"Far too many bands open their mouths before they have anything fucking decent to say. If something comes along that we feel really strong about, then we will open our mouths about it, OK?"

-Andy, on politics NME July 1999

"I think it's true that it's a weak time for music, but if you put up what we've done in any era, it will stand up. I really beleive that."

-NME July 1999

"I once had a perm!"

-Andy, revealing a shameful seceret Sky October 1999

"The most interesting thing about me is that I'm still alive. And the most boring thing about me is that I'm still alive."

-Sky October 1999

"The worst I've been was last Burns Night. It was fre whiskey and I lay on the floor and couldn't even remember my address. My mates put me in a taxi home, and my girlfriend carries me in, sits me down, and says 'Andy, what's my name?' I still couldn't remember an hour later, I just kept saying 'I love you...' I tell you, if you're ever that drunk, it works. She wasn't even angry with me the next day."

-Andy, on the worst night of drunkness he'd ever had Sky October 1999

"If it's a show day, you've got your reward at the end."

-Andy, on working with no days off NME June 2000

Guitarist Andy Dunlop, the band's most accomplished musician and a shy, charming intellectual, dreads interviews and quakes at celebrity. For him was reserved the most traumatic L.A. star experience. One morning as the hotel elevator bumped onto the ground floor, the door opened to reveal Lou Reed waiting to go up. Unable to cope with the shock, Dunlop frantically stabbed the Close Door button and shot up again, leaving the famously grouchy legend in the foyer. "You come down looking for a bit of breakfast, and there's fucking Lou Reed standing there. I just couldn't deal with it. I was just staring into the mirror in the lift going, Bloody hell, bloody hell, it's Lou Reed."

Andy Dunlop is the band's cultural antenna. While Healy admits he owns few records and listens only to the radio, the gentle, bookish Dunlop is every inch the knowledgeable fan. His Led Zeppelin, Who, Beatles, and Stones badges form a breastplate on his denim jacket and identify him as the keeper of the band's hidden "rock beast" flame. It was his idea to add AC/DC's "Back in Black" to the Travis set during the last U.S. tour. It is he who feels most relief that the band will never perform Britney Spears's "...Baby One More Time" ever again. "Don't people know when a joke's over?" he moans.

From Q June 2001

"I don't think we take for granted anything that we've got. And I don't think you can. Y'know, Travis are Fran's songs. Without that, all the rest of it wouldn't mean anything. It's not us. It's not even him--it's the songs. That's the whole invisible band thing--these songs'll be around long after we're dust. And hopefully they'll last. It's not about us, it's not about what haircuts we've got, what clothes we wear, what we even say about it. It's an emotional thing, way, way under the surface. I'm damned if I can understand it, but it seems like we've got something nice."

From The Guardian June 2001

LYRICS

You Don't Know What I'm Like

We've been round the block
And we're getting on fine
But you don't know what I'm like
And I looked at the clock
And it was way past the line
Still you don't know what I'm like
We'd spend a good time
Trying to have a good time
And for all of the time it really seems ok
You're eventually lost and I'm happy because
You don't know what I'm like
You lived in my shoes
And you stayed at my flat
Still you don't know what I'm like
And it's you that will lose what you think about that
Cause you don't know what I'm like
We'd spend a good time
Trying to have a good time
And for all of the time it really seems ok
You're eventually lost and I'm happy because
You don't know what I'm like
And you don't know what I like
Now I'm on the TV
And you're on the phone
Still you don't know what I'm like
And I found someone new
And she's taking me home
She knows just what I'm like
We'd spend a good time
Where we have a good time
I think I found a place I want to stay
You're eventually lost
And I'm happy because
You don't know what I'm like
You don't know what I like
You'll never know what I'm like


Ancient Train

I'm a little boy
In the world today
Trying to live his life
In the grown up way
Sometimes I get so scared
That I can hardly move
But I'm a little boy
With a lot to prove
Somedays go by so fast
Sometimes I wonder
How long will this young boy last
Now I'm an ancient train
Going down the track
I always make my way
I'm never turning back
Because my wheels are old
Sometimes it rides real slow
But I'm an ancient train
With a place to go
And I used to ride so fast
Sometimes I wonder
How long will this old train last
Sometimes this song goes fast
Sometimes I wonder
How long will this old song last

Central Station

The lady with the faint moustache
She's out of face from smoking hash
She says she's on the gain for cash
She tells it to lads yesterday 
Both liked it the normal way
And tells me of a usual pay
Down in central station
Waiting on my friend
The girl who works at Casey Jones
She's making meat from broken bones
And answers all the telephones
The old boy who's been on the wine
He reads aloud his broken lines
And tells me that his sun don't shine
Down in central station
Waiting on my friend
Down in central station
This day will never end
The lady's off to pay her rent
And bitch about the government
With every hour that heaven sent
Casey Jones has closed its doors
They've cleaned the tables
Bleached the floors
And the old boy's off to drink some more
Down in central station
Waiting on my friend
Down in central station
This day will never end
This day will never end